Ask John: Is Japan’s Entertainment Industry Too Harsh on Offenders?

Question:
“4th Avenue Cafe” by L’Arc-en-Ciel is a great song and was used as an ending theme in the Ruroni Kenshin anime. However, drummer Yasunori Sakurazawa got in trouble for being a heroin addict. In response, the band immediately kicked him out, the song was never officially fully released until nearly a decade later and the producers of the anime insisted on immediately dumping the new ED even though it worked great for the show.

To me that was really disgusting. Yes, heroin addiction is a very serious crime but Sakura didn’t rape, kill or inflict harm on any person, and the only individual he hurt was himself. The public and industry should have shown more respect and tolerance towards him and tried to help him instead of just turning their backs on him and spitting on him. Shame on them, especially his cowardly bandmates.

In your opinion, do you think it is appropriate how the Japanese public treated him? Also, is it really common for the anime industry to insist on acting as “morality police” and heavily punishing and ostracizing people for what they consider “grave sins”?


Answer:
I understand and empathize with your considerate reaction. Especially in the United States, fairness is valued to the utmost and even scoundrels and criminals are afforded great consideration. In fact, the sad argument is periodically made that the American judicial system bestows more consideration on criminals and perpetrators than on their victims. While America upholds the belief that an individual is assumed innocent until proven otherwise, Japan, in practical effect, may be the opposite. Accusation may be slow to come in Japan without abundant evidence, and even some times within light of abundant evidence. But an individual formally accused of a crime in Japan is nearly always considered and ultimately proven guilty. This tendency is representative of Japan’s philosophy of social responsibility. Furthermore, illicit drug laws are typically much stricter in much of Asia than in America. While personal drug use doesn’t necessarily directly harm others, it is still taken very seriously in Japan.

Japanese society traditionally expects its citizens to contribute to the uniformity and benefit of society. What occurs in private, behind closed doors is private and unspoken as long as the individuals involved maintain a respectable public facade. The Japanese social philosophy can be summarized as “Don’t rock the boat,” or “Don’t be the nail that sticks up.” Within this philosophy, a lot can be overlooked and forgiven provided that it doesn’t become a public spectacle. However, Japanese citizens that insist upon breaking this unwritten social code, whose behavior becomes unavoidably public, become immediate pariah facing intense scorn and public humiliation and alienation. Examples of this tendency may be found within Japan’s entertainment and political culture as well as the smaller anime and manga industry.

Psycho le Cemu vocalist Daishi Kajinaga was arrested on charges of drug use in May 2005. Four days later his record label Nippon Crown Corporation canceled the release of the Psycho le Cemu in USA Vol. II DVD and ceased distributing all Psycho le Cemu albums. Two months later Psycho le Cemu disbanded and all four remaining band members found new record labels. Producer and musician Tetsuya Komuro was arrested in November 2008 on charges of fraud. His record label, Avex, canceled the scheduled release of two singles by Komuro’s band globe and ceased all promotion for the two songs. Popular singer Akira Akasaka was arrested for drug posession in December 2008. His management agency immediately severed ties with him. SMAP member Tsuyoshi Kusanagi was arrested for public drunken nakedness in April 2009. Immediately the Japanese government’s Internal Affairs and Communications Ministry replaced Kusanagi as its spokesman for the digital TV transition, and Toyota Rent-a-Car, among other advertisers, canceled contracts with him. Public sympathy later turned in Kusanagi’s favor. In August 2009 actor/singer Manabu Oshio was arrested for illegal drug use. Police found him in his apartment with a dead woman who had overdosed while doing drugs with him. Oshio’s (separated) wife immediately filed for divorce, and his record label, Avex, immediately terminated his contracts. During the same month singer and actress Noriko “Nori-P” Sakai was charged with illegal drug use. Victor Entertainment canceled her record contract and ceased distributing her albums. Toyota canceled its advertising deals with her. Actor Taishu Kase was arrested for drug use in October 2009. The TBS television network immediately ceased broadcasting the “Kippari!” television drama that Kase starred in. The manga industry also has its own example of ostracism following controversy. In October 2005 shoujo manga artist Yuki Suetsugu admitted to plagiarism. Kodansha immediately ceased publishing Suetsugu’s then current manga and recalled all of her published works, effectively ending her career.

Excluding sexual or violent offenses with clear victims, the Japanese entertainment industry obviously has a demonstrated tendency to leap to judgement and react to offenses with extreme prejudice. The entertainment industry does so because it mirrors the larger Japanese societal perspective. Japanese society traditionally demands that its citizens sustain a level of self-responsibility that may seem unusual or even irrational to Americans. Japan’s entertainment industry is particularly charged with setting example. Following Noriko Sakai’s conviction, Commissioner General of Japan’s National Police Agency Takaharu Ando stated, “I would like people in show business to make serious efforts to get clean from drugs and prevent recurrences… That will be the driving force to sweep drugs out of our society.” Some of the ostracization imposed against offenders in Japan, particularly drug offenders, is certainly intended to set example and discourage others from the same path. A certain degree of the punishment may also be motivated by a spiteful and selfish moral superiority complex. As an external observer with limited knowledge, I’d be irresponsible to levy intense criticism of Japanese moral values. Japan is not America, and Japan’s reaction to the offenses of celebrities, politicians, and public figures is handled in a way that makes sense to Japanese citizens and adheres to the established values and conventions of Japanese society, which are notably different from those of American society.

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