Ask John: Where Have the Tough Guys Gone?
|Question:
A look at this screenshot of Kamijou Touma of To Aru Majutsu no Index brought back to my mind that catch phrase from those Timex Watch commercials, “Takes a licking and keeps on ticking.” Assuming you are familiar with Index and the likely reasons why that catch phrase might apply to its male protagonist, who else does John recall from any other corner of the anime universe who might also qualify to be described by said phrase?
This playful question evokes fond memories for me. During the late 1980s and early 1990s, I vividly recall that members of my local anime fan club enjoyed playing an amusing game of identifying what we referred to as the “indestructible anime hero.” Times and tastes have changed, as in the 2000s anime protagonists have gotten younger and many of them have become more vulnerable and human. But the 80s, in particular, seemed to frequently introduce masculine, adult male characters that seemed to be able to withstand any physical abuse. Grey Death in the 1986 Grey: Digital Target movie lost most of his body but continued fighting. Hiyuu Kyouichi loses both of his arms in the 1987 Maryu Senki OVA series yet still manages to defeat his nemesis. In fact, even the women were tough back in the day, as Angel in the 1989 Angel Cop OVA series also took so much damage that her body had to be rebuilt, yet she continued to persevere. And Priss grits her teeth to a lot of punishment in Bubblegum Crisis 6. Jubei Kibagami absorbs tremendous pummeling in 1993’s Jubei Ninpocho. Riding Bean seems to have supernatural endurance in his 1989 OVA. The heroes of Masami Kurumada’s St. Seiya and Fuma no Kojiro seem able to survive ungodly amounts of damage. But the two “indestructible heroes” that I recall most vividly are Goku Furinji of the Midnight Eye Goku OVA series and Taki Renzaburo, the human detective in the 1987 Yoju Toshi (Supernatural Beast City) movie.
For better or worse, during the 80s and early 90s, anime was filled with masculine, macho, determined characters. Examples include Kenshiro, Ryo Saeba, Captain Harlock, Momotaro in Otoko Juku, Guts, Violence Jack, Madara, and Jojo Joestar. But as the 90s unfolded and progressed into the 2000s, anime became more sophisticated and, in a sense, less primal. Evangelion and Gundam Wing introduced teen angst; the harem genre emerged, eventually to be complimented by the moé phenomena; an increasing number of female fans entered the anime hobby, and muscular, determined heroes softened into present day characters like Touma Kamijou who isn’t especially prideful or determined. He seems to survive and battle on as much by circumstance as personal resolution. Certainly, Touma gets knocked around frequently yet always seems able to face the next day, but characters that get stepped on and abuse yet get up again to fight another day seem to be a lot more common in older anime than in contemporary anime.
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Also, nostalgia has become a major aesthetic of anime, which almost necessitates the use of younger and otherwise grounded protagonists (e.g. a mundane high school boy), rather than the larger-than-life action heroes of 80s anime.
Or maybe protagonists are simply expected to be more relatable. Deadman Wonderland comes to mind as a recent masculine action anime with a wimpy high school boy protagonist, surrounded by (comparatively) larger-than-life characters. He’s typical of other contemporary anime protagonists in that he’s a mundane school kid who is able to summon incredible willpower, empathy or intuition during critical moments, but is otherwise helplessly overwhelmed by his predicament the rest of the time. He’ll also endure any punishment for the ones he cares about, which lends itself to cathartic pivotal scenes (which I suppose can be traced to the zen buddhist virtue of “gaman”).
That’s the kind of male protagonist I see, a sort-of Shinji Ikari made more generic for mass production, being taken to the xerox machine in a lot of contemporary anime, whether it’s a harem comedy where a male lead gets steamrolled by an assortment of eccentric girls like Mayo Chiki and Suzumiya Haruhi, a battle-centric thing like Deadman Wonderland and Yumekui Merry*, or a bishoujo visual/light novel derivative like Bakemonogatari.
*and a whole lot of recent J.C. Staff anime come to think of it
While I hate seeing anything taken to the xerox machine, I at least think this archetype is a vague improvement over the 1-dimentional Hollywood-esque action heroes of past anime ( http://www.youtube.com/watch?v=RFHlJ2voJHY )
I know it’s not a stereotypical super-macho show but Luffy and Zoro from One Piece have taken insane amounts of abuse before on the show and continued to fight with no self-regard for their own health.
I sometimes co-host a nostalgia panel at cons, and often, I will make this an emphasis of discussion: Really, where have all the manly men gone?
Back in the day, male leads would assert themselves through brute force (Kenshiro, Riding Bean), or through sheer presence or machismo (Lupin, Harlock). Sadly as of the past few years or so, the anime world has been flooded by passive, submissive male leads (lovingly referred to by /a/ as ‘Betas”). As mentioned by seanny, these are mass-produced Shinji Ikari clones.
Sadly, Kamijou Tohma is probably one of the more manly main characters of recent memory… So my question here is: Does this reflect a cultural change in Japan as a whole? Is the whole business strategy now “Make my male lead indistinguishable from its audience”, as a spineless, pathetic otaku cuckold?
I have mixed feelings. I do love the tough men and women in mangas. They are muscular and strong. Their fighting also get the manga very interesting. But tough people in mangas always get into much trouble and fight a lot. I don’t welcome fighting. But a manga without fightings seems not wonderful enough. What’s the matter? I’d better watch funny mangas instead then there will be less fighting.
i laughed my ass of at the question, when he said “takes a licking and keeps on ticking” because in index, she literally bites and licks him lol