Ask John: Why are classic Go Nagai Anime Passed up for English Release?

Question:
What’s keeping titles like Mazinger, Great Mazinger, and UFO Robo Grendizer from ever seeing some kind of English release? Is it Toei (whom I’m assuming holds the rights) that has no interest or maybe does it end at the lack of any American company support? I know it wasn’t popular, but Anime Works did a tremendous job with their Tekkaman Blade, Golion, and GaoGaiGar releases. Why don’t more companies attempt these kind of releases? What Go Nagai releases have come out on DVD that wasn’t limited, is not now out of print, and doesn’t cost way beyond what anything on DVD should cost?


Answer:
Ironically, Go Nagai gets a lot of love from Americans, but not exactly a lot of respect. That statement probably sounds contrary, so allow me to explain. Since the introduction of the Shogun Warriors in America during the late 1970s, in the form of toys from Mattel and a comic book series from Marvel, Go Nagai’s creations have had an American cult following. Rocker Glenn Danzig may be America’s highest profile Go Nagai fan, having licensed and published some of Nagai’s original Devilman manga in English through comic publisher Verotik. Numerous anime based on Go Nagai work have hit American home video, including Abashiri Family, Black Lion, the Shin Cutey Honey OVA series and Cutey Honey live action movie, the live action Devilman movie, Devilman Lady, Hanappe Bazooka, Iron Virgin Jun, the Kekko Kamen anime and live action films, Kama Sutra, Kikoushi Enma, Mazinkaiser, Demon Lord Dante, Oira Sukeban, Shin Getter Robo, Shuten Doji, and Violence Jack. However, the treatment of many of these releases has been less than ideal.

I’ve heard second hand from an executive of one of America’s active manga publishers that Go Nagai himself is hesitant to grant permission for new English translations of his manga becuase he’s unhappy with previous American treatments of his comics. Particularly, Studio Ironcat published Nagai’s Cutie Honey 90s manga series in English in 1997 under the title “Cutie Honey ’90.” The domestic publication has been criticized for poor print quality and the inclusion of some editing. In 1995 Verotik Comics published a poorly colored rendition of some of Go Nagai & Masaki Tsuji’s Shin Devilman manga series, complete with alterations to the original artwork. Although probably not as significant as having original artwork censored, re-drawn, and colored, the American DVD release of the Maoh Dante television series was also a censored release.

A lot of anime credited to Go Nagai has reached American home video, as recently as Bandai Visual’s May 2007 domestic DVD release of Demon Prince Enma. Media Blasters released the live action Devilman movie on domestic DVD just last year. However, the absence of vintage Go Nagai anime in America may have something to do with Go Nagai himself being opposed to American releases, but is probably much more attributable to the nature of the anime itself. Anime series including Mazinger and Getter Robo are significantly older than Go Lion or Tekkaman Blade, and much higher profile titles in Japan. While Japanese licensors may have been willing to allow bargain releases of Go Lion and Tekkaman Blade in America, they may insist upon a more elaborate, upscale release for iconic Japanese franchises like Mazinger & Getter Robo. But the American market won’t support such releases, or possibly any releases at all. Gaogaiger managed to “succeed” only because it dropped its costly English dub. Go Lion and Tekkaman Blade have succeeded because of their low cost and their established American nostalgia rooted in the 1980s and 1990s. Old anime has never sold well in America. When not even the 1979 Mobile Suit Gundam series succeeded on American DVD, it’s understandable for domestic publishers to be especially hesitant to invest in robot anime that’s even older. To be certain, there is a cult following for vintage Go Nagai robot anime in America. But those few hundred or even few thousand loyal fans aren’t remotely enough consumers to make commercial American DVD releases viable.

Article revised on August 24, 2009 and June 21, 2010.

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