Ask John: Why Hasn’t Yu-Gi-Oh! Capsule Monsters Been Released in Japan?


Question:
Why hasn’t Yu-Gi-Oh Capsule Monsters show been released in Japan yet? Yu-Gi-Oh The Movie Pyramid of Light was released in Japan back in 2005, so why not for Capsule Monsters show in Japan? Yu-Gi-Oh Capsule Monsters takes place between Grand Championship and Millennium Arc. Is it because of the storyline, or they just don’t want to release it because the Capsule Monsters show was too American since it was based on Mattel’s product?


Answer:
Slightly different circumstances precede the 2004 Yu-Gi-Oh: Pyramid of Light feature and the 2006 Capsule Monsters TV mini-series that likely explain why Capsule Monsters has never seen Japanese release. The 2004 Pyramid of Light movie was commissioned for production by 4Kids Entertainment, but the construction of the film was left in the hands of animation studio Gallop and Japanese producers NAS, the producers and animators behind the associated 2000 Yu-Gi-Oh: Duel Monsters television series. Since the film production was funded by an American distributor, the movie premiered in America. But since it was written and animated by the Japanese TV series creators specifically as a supplement to the ongoing TV show, the movie maintained continuity and tone with the TV series. And when the film was released in Japan the following year, director Hatsuki Tsuji was able to add ten minutes of additional footage specifically for Japanese audiences.

Two years later, with two years of additional experience localizing Japanese animation and plenty of experience handling the Yu-Gi-Oh franchise, 4Kids again commissioned Studio Gallop to produce new Yu-Gi-Oh anime for American release. However, while Gallop had creative control of the Pyramid of Light movie two years earlier, 4Kids Entertainment specified exactly what it wanted in the “Capsule Monsters” 12-episode mini-series. While the mini-series can be said to maintain continuity with the surrounding Duel Monsters television series, it’s distinctly different in tone. The ideas that the duel monsters actually exist in an alternate dimension, and the threat of real, physical harm to the main human characters are concepts that don’t harmonize with the surrounding show.

Yu-Gi-Oh is a massively popular, profitable, and successful franchise for Konami, Nihon Ad Systems, and the TV Tokyo network, so naturally its producers can be expected to be protective of the franchise. Releasing the made-for-Americans Capsule Monsters mini-series offers very little advantage to any Japanese producers or distributors. Studio Gallop has taken great care since 2000 to establish a consistent continuity and, more importantly, stylistic brand identity for the Yu-Gi-Oh anime in Japan. The Capsule Monsters mini-series doesn’t strictly adhere to that carefully groomed stylistic identity, so rather than dilute or confuse the brand identity, a better choice is just to exclude the American exception. Furthermore, no Capsule Monster merchandise exists in Japan to tie-in to the mini-series. The Japanese produced Yu-Gi-Oh! Capsule Monster Coliseum Playstation 2 game pre-dates and is not directly related to the American TV mini-series. Presuming that the Yu-Gi-Oh anime exists primarily to encourage sales of ancillary, more profitable Yu-Gi-Oh merchandise, there’s no reason to bother releasing a “foreign” anime designed to promote merchandise that doesn’t exist in Japan. A now 7, nearly 8-year-old children’s anime primarily made for foreign viewers might possibly be of interest to a very tiny Japanese audience of hardcore Yu-Gi-Oh fans, but the overwhelming majority of contemporary Japanese Yu-Gi-Oh viewers are presently watching Yu-Gi-Oh Arc-V and really don’t care about a spin-off story from a TV series from four lengthy seasons ago (Zexal, 5D’s, GX, Duel Monsters). Considering the cost of dubbing and editing the Capsule Monsters mini-series for Japanese release, the minimal amount it would probably generate from home video release or Japanese TV broadcast, and the damage it could possibly inflict on the reputation and continuity of the ongoing Japanese franchise, there’s just no good reason for TV Tokyo or Nihon Ad Systems to bother releasing Capsule Monsters in Japan. The show was made for Americans. Studio Gallop got paid to create it. The show has served its purpose, so there’s no reason to revive it.

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