Demonstrating a very encouraging evolution, this month’s 14th issue of indie manga anthology magazine GEN is the best issue yet, featuring substantial, fascinating chapters of six ongoing Japanese
As the English language GEN indie manga anthology moves ahead into its second year of publishing, it starts with a brand new manga from a fresh artist, and
Exactly a year ago GEN debuted as a new experimental effort to introduce original Japanese doujinshi to English speaking readers. Unlike earlier American publishing efforts that had published
Arguably no assemblage of thought, no written collection of ideas, has influenced and impacted the earth and human civilization more than The Bible. Scripture has provided guidance and
I’m inexcusably a bit behind on reading and reviewing the monthly manga anthology GEN, so I’m going to try to briskly catch up beginning with issue 8. Gen
The seventh issue of GEN Manga continues to evolve from its doujinshi roots into something more like a genuine underground, alternative manga culture anthology that encapsulates upcoming Japanese
Husband and wife creative team “Yamaaki Doton” have won numerous Japanese awards for their original manga yet remained unknown in the English speaking world until the recent publication
The sixth issue of Gen Manga (pronounced with a hard “G” in reference to the Japanese kanji character for “origin,” although I’m told by editor Robert McGuire that
The fourth and fifth issue of Gen Manga continue to evolve and mature, further developing ongoing stories while more obviously stepping closer to becoming the cutting edge alternative
The striking, stark and powerful cover images of Gen Manga issues 2 & 3 immediately inform readers that what these books contain is not necessarily the typical mainstream,
In terms of cinematic quality, the 90 minute long Tekken: Blood Vengeance 3D CG movie falls in-between the Resident Evil: Degeneration and Final Fantasy VII: Advent Children CG
New York City based independent publisher Gen Manga Entertainment has made its first step into the exciting but tenuous waters of original manga publishing with the first issue
I happened to come across and watch Madhouse’s 30 minute A-Girl OVA originally released on September 24, 1993. Despite being an early 90’s release, this production is firmly
American readers are, by now, familiar with manga and, naturally, familiar with the personal essay. But a combination of the two is something unusual and unfamiliar. New York
